I just came back from a dreamy residency at the Headlands Center for the Arts in Northern California. The place is special not just for the breathtaking views of the Marin Headlands but also for the kind people who run it. I’m grateful to Louisa Gloger, Holly Blake, MJ Brown, and others on Headlands’ team. Shoutout also to the amazing Bay Area artists, writers, activists, and other Hyperallergic readers I got to meet in the past few weeks.
Meanwhile, our excellent editorial has been holding down the fort, putting out lots of must-reads. Check out Erin L. Thompson’s deep dive into the convicted antiquities dealer behind priceless objects held at dozens of museums across the United States, Ben Moser’s review of a new Frederic Edwin Church biography, Aaron Short’s report on the Aldrich’s inaugural decennial exhibition, Coco Fusco’s piece on the unknown fate of imprisoned Cuban artist Luis Manuel Otero Alcántara, and much more.
It’s good to be back in New York, despite the haze, ticks, and fear of eating a bad salad leaf. And it’s also good to be back with all of you.
—Hakim Bishara, editor-in-chief

Why Do So Many Museums Hold a Convicted Antiquity Dealer’s Treasures?
After The Met returned a Roman bust connected to Phoenix Ancient Art, the question of what will happen to other works sold by the gallery to dozens of US institutions remains open. | Erin L. Thompson
News

- The activism group Everyone Hates Elon mocked Kylie Jenner’s Meta glasses campaign with bus ads following a wave of public backlash over unresolved concerns about privacy, consent, and personal safety as surveillance technology rapidly evolves.
- Days after police arrested a man who had scaled and tagged a prominent Melbourne bridge with a cartoon bird dubbed “Pam the Bird,” thousands have called upon the city to preserve the graffiti artwork.
- Artists are memorializing Lorenzo Salgado Araujo, a 52-year-old man who was fatally shot by ICE on July 7, through portraits, illustrations, cartoons, and signs.
- The Harriet Tubman Museum and Educational Center in Cambridge, Maryland, reported a break-in that resulted in damage to a mural over the weekend. The involved party, which remains at large, broke into the building only a month after it reopened to the public following an extensive renovation.
- The High Museum of Art’s former Chief Operating Officer Brady Lum has pleaded guilty to embezzling more than $600,000 from the nonprofit arts institution.
- The Manhattan DA said three antiquities are being repatriated to Mexico. One of them was previously held by the Metropolitan Museum of Art.
- The Trump administration has significantly diminished the size of two national monuments in Utah that hold sacred lands and rich archaeological sites.
- A prominent international gallery in Cape Town is facing allegations of withholding artworks from and delaying payments to artists.
- Manhattan’s High Line Art is seeking public feedback on 62 proposals for the public artwork commissions that will grace the park’s plinth in 2029 and 2030.
- The New York City Department of Health and Mental Hygiene discovered Legionella, the bacterium that causes Legionnaires’ disease, in the Guggenheim Museum’s cooling tower this week.
- After months of near radio silence, two suspects held in pre-trial detention have revealed more information about their role in facilitating the Louvre Museum jewelry heist that shocked the world last October.
From Our Critics

The Many Lives of Frederic Edwin Church
Victoria Johnson’s biography is a nuanced portrait of the artist, whose landscapes conveyed the anxieties of a nation struggling over slavery, war, and disunion. | Benjamin Moser
Should We See Peter Hujar’s Contact Sheets?
Though not made for public consumption, the darkroom work prints reveal his portraits as excerpts of a conversation, rather than memories snatched from the ether. | Julia Curl
The Album Art Music Left Behind
Two projects examine the visual art and design that shape our perception of music, from Raymond Pettibon’s Foo Fighters record covers to the ephemera of bygone bands. | Divya Mehra
For Michael Asher, the Museum Was the Medium
A survey of the conceptual artist reveals his deep engagement with institutional machinations, though it sometimes feels like inside baseball. | Renée Reizman
The Story of Printmaking Is the Story of Democracy
Holly EJ Black deftly weaves a narrative that integrates varied geographical and cultural perspectives, centering figures who may not have been artists themselves. | Bridget Quinn
Features

Meet the Doyennes of Ecosexuality
In their latest film, Annie Sprinkle and Beth Stephens advocate replacing an exploitative relationship with the Earth with one based on intimacy, care, and pleasure. | Tulsa Kinney
Connecticut’s Artists Have Been Hiding in Plain Sight
The Aldrich Contemporary Art Museum’s inaugural decennial exhibition showcases works by 40 artists in the state, all made in the last decade. | Aaron Short
How the Children’s Art Carnival in Harlem Nurtured Generations
Nearly six decades since its founding, the legacy of the beloved program is explored in an exhibition at Columbia University’s Wallach Art Gallery. | Jerry Elengical
Opinions

How a Basket Empire Wove the Myth of America
As Longaberger’s iconic headquarters sit empty, the baskets survive as artifacts of a national identity that commodified craft and packaged settler colonialism as heritage. | Poppy DeltaDawn
Where Is Luis Manuel Otero Alcántara?
The Cuban artist’s whereabouts remain unknown, as do his fate and that of more than 800 political prisoners on the island. | Coco Fusco
Community

Beer With a Painter: Keltie Ferris
“I am playing with the building blocks of painting,” the artist told me at his studio in Woodstock, where he experiments with gestural compositions and monumental body prints.
Required Reading
This week: Chitra Ganesh’s futuristic myths, André Breton and optimism, the mermaids of Florida, a Palestinian digital archive, Argentina and racism, and more.
Remembering Bruno Lucchesi, Pat Oliphant, and Edward Lucie-Smith
This week, we honor a figurative sculptor, a political cartoonist who revolutionized the form, and a prolific poet and writer.